In 1862 Victor Hugo wrote a story about an ordinary guy with
a cool name who is sent to prison for a minor crime but turns into a bad guy
while serving his sentence. When he is
released from prison a couple of decades later, he remains a bad guy until he
discovers religion and then becomes a really good guy. Surprisingly, it took
Hugo 365 chapters to tell the same tale that some rappers belt out in three
minutes. Unsurprisingly, after writing all
those words he came to the conclusion that less is more and scrawled The Miserable Ones on the title page.
In the late 1970s the Tunisian lyricist Alain Boublil read Hugo’s
book, and somewhere between Chapter 178 (Pestilence
and Pox) and Chapter 301 (Fresh Blood
in the Sewers), made the obvious connection, exclaimed “musical!” and the
rest is dramatic history.
By the 1990s Hollywood came calling and after a couple of
attempts to adapt it to the big screen, finally realized, duh, let’s get the
same guy who won an Oscar about a staid stuttering king. If he could turn a five minute radio speech
into a Beethoven backed, cinematic pièce de résistance, then surely he could do
something special with few already famous songs.
Universal Pictures opened its coffers, Tom Hooper did his
thing, and the whole package was gift wrapped for the world to see on Christmas
day.
I spent the holiday at my parents’ house in Florida. By late Christmas afternoon the kids had
already broken half of Santa’s electronic presents and with a dazed, “It’s
mine, all mine!” look were starting to eye the glitter-glue heavy arts and
craft boxes. My mom, tired of her “Never
say no Nana” role, eyed her new white
carpet and decided it was the perfect time to put on her, “I was there for opening
night” face to take my sister-in-law and me to the local multiplex.
I was the first one in the car.
Les Miserables is
the kind of movie I thoroughly enjoy:
Star filled, over-the-top spectacle, with no room for interpretation
since the director pounds every feeling he wants you to feel with the subtlety
of a melodious jackhammer.
A mere three hours after we settled into our seats, the
movie ended, and along with all the other South Florida retirees and Broadway
groupies who had jammed the theater with us, we paraded through the parking lot
ironically singing “Can You Hear the People Singing?” interspersed with cries
of “Viva le France!”
I love musicals. No, that’s not right, I am inspired by musicals. I called my father “Papa” for a month after
seeing Yentl. West
Side Story? I tried to persuade the
front office of the New York Jets football team that 90,000 fans snapping their
fingers in unison would strike terror into the hearts of opponents. The
Sound of Music? Don’t get me
started.
But, the morning after seeing Les Miserables I was stumped. I’m inspired, but am not sure what
direction to go with it. What can I
harp on? The obvious choice is religion, but I’m already Catholic. I wouldn’t mind joining a just revolution. Occupy
Wall Street crosses my mind, but to be honest, I’m not entirely sure what
that’s even about. A revolution against stock brokers? Eah. Prison’s too cushy these days and all the
other stuff is so illegal it would probably jeopardize my job.
I’m humming “I Have a Dream” but am not sure what it is. Putting an extra $100 a month in my 401k?
Oh, Victor Hugo, with your 365 chapters describing every kind
of human suffering a body can know. A
noble poet who held a mirror up to society with the hope that his readers would
be so disgusted by what they saw, kindness and empathy would triumph.
Oh, Tunisian lyricist, that music, those songs! Those songs.
Oh, Anne Hathaway, with your emaciated body and hollowed out
eyes, not to mention that adorable Halle Berry haircut.
By my fourth cup of coffee, I’ve given up trying to spin
this movie into anything I can morph into my own life.
I spend the last day
of my vacation by the pool making beaded necklaces with my little nieces and
nephew. The patio table is a jumble of
brightly colored string and bags of sparkling plastic orbs to choose from. We are each lost in thought, creating our individual
little masterpieces. Under a perfect Florida sun, I am the only one to break
the silence, occasionally whispering Les
Contentment, Les Lucky.
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